The fast first verse should be pretty hard by itself, but she performed the chorus with a perfect parallel fifth. Persona 5. No abusive ads ... Life Goes On. The biggest characteristic among P5’s instruments is actually the electric piano. “Persona 5‘s songs mostly symbolize the same song, which is this one, “Phantom,” the song for the title screen. Persona 5 Original Soundtrack is the official soundtrack of Persona 5. !”… this happened to me once 5 years ago. TL Note: Escargot is the surname of the owner, Lala Escargot. Meguro joined Atlus in 1995 after sending in his (literal) mixtape and passing an interview, and was immediately assigned to work as a composer on the very first Persona game, Revelations: Persona. While Meguro was busy composing for Maken X during Persona 2‘s development, he was the main composer for each mainline game following Persona 2, as well as most of the Shin Megami Tensei (SMT) PlayStation 2 games, such as Nocturne and the Digital Devil Saga duology. She’s just great.” (Meguro), 3-23 – Collapse of Pride – Composed by Toshiki Konishi, “Third track of the “collapse” series. It’s a strange track, but I think that its feminine melody expresses Takemi’s feelings well.” (Meguro), 2-3 – Mementos – Composed by Shoji Meguro, “The track that plays during the never-ending explorations of Mementos. This harshness was an ongoing theme within the SMT games that resonated throughout the soundtracks, and though the Persona games carry different themes, each game’s world aesthetics are reflected in their unique soundtracks. Actually, the melody of almost all songs expresses the same thing. In this song, as I wrote in the general comment, I’m playing the KORG/WAVEDRUM percussion, but it’s an orthodox sound so it’s hard to notice, I think.” (Meguro), 1-17 – Last Surprise – Composed by Shoji Meguro, Vocals by Lyn, Lyrics by Benjamin Franklin, “Battling is something out of the ordinary, but for the MC’s gang it becomes part of their everyday lives, so I made the song in full acid jazz style. To get rid of “catchiness” and add in “coolness” and “realness” we had Lyn, who can sing true old school soul, sing the vocals. TFG Note: Meguro is likely referring to Taiyo ni Hoero!, a Japanese detective show that aired in the seventies. It also analyzes reviews to verify trustworthiness. ... Life Goes On (From "Persona 5") [For Piano Solo] 1:46 22 When Mother Was There (From "Persona 5") [For Piano Solo] TL Note: I think he’s referring to the fact that the BGM in real-life Japanese shops, like Don Quijote, have lyrics. Looping sounds like these easily creates noise, so I always have a hard time.” (Kitajoh), 2-41 – Destiny Land – Composed by Atsushi Kitajoh, “In the game, it’s made so that you hear this faintly, in the distance. Actually, there’s also a 96kHz, 24bit hi-res version too. Chords. TL Note: “ad-lib” here is written “fake” in Japanese: Google tells me that it’s a type of ad-lib that drastically changes the rhythm of the song. This time we made four “suspicious” tracks, and this is “Suspicious 3.”” (Meguro), 2-15 – High Pressure – Composed by Shoji Meguro, “As I wrote in the comment for “Sweatshop,” this track plays during tense scenes and uses the “Sweatshop” track as base.” (Meguro), “The track that plays during the first half of Kaneshiro’s Palace. Persona 5. swear to my bones. Download Pdf. While the Persona series necessitated that Meguro tailor his compositions to bring out their thematic elements, the PS2-era SMT games allowed him to stick with a hard-rock style that expressed the harsh feeling of the worlds. Last edit on May 07, 2017. The basic mood is the same as the two previous ones, but this track is arranged to progress in accordance with the movie.” (Konishi), 3-24 – Freedom and Peace – Composed by Shoji Meguro, Towards the end of the game, the Palace in question is very out of the ordinary, so its track too changed radically. BGM is an acronym for background music. The latter part’s chord progression…if they told me to create it again, I couldn’t.” (Konishi), 3-15 – Trick – Composed by Toshiki Konishi, “The track playing when XXXX does XXXX, but then XXXX happens and the player goes “whoa!” (again). TFG Note: We believe that the “elp” version is named that way because the “elp” versions feature only electric piano and percussion, where as the regular versions feature synths as well. The soundtrack features 110 tracks from the game, spread into three discs. But I had a hard time making it fit well with the original audio…” (Meguro), 3-20 – Rivers in the Desert -instrumental version- – Composed by Shoji Meguro, “The track plays when facing a certain enemy in the last part of the game. 2-39 – Welcome Home, Master!♡ – Composed by Atsushi Kitajoh, “I thought I had made a cute song, but it wasn’t that cute in the end, was it… by the way, I have been to a maid cafe before, meow.” (Kitajoh), 2-40 – Time to Repent – Composed by Atsushi Kitajoh, “This too is a track that sounds like environmental sounds, but I made it based on church psalms. Had you noticed?” (Konishi). I was thinking of the theme of working for the company, following rules and regulations, so it became a march.” (Kitajoh), 2-35 – TRIPLE SEVEN – Composed by Atsushi Kitajoh, “The track that plays in Central Street’s convenience store. Each scene length changes depending on the comrades’ lines, but we adjusted the timing/length the song plays to make sure it fits each awakening scene perfectly.” (Meguro), 1-14 – Will Power – Composed by Shoji Meguro, “After “Desire,” as a symbol of the completely out-of-the-ordinary experience the MC’s gang is living, we made this song in a very Persona-like (or rather, Megaten-like?) This is a pretty tense track so I wanted to use it in other tense scenes, and I had trouble deciding where to use it. In the end we used it for Okumura’s Palace, but the tense scenes (track) was re-made on the basis of this track.” (Meguro), 3-6 – Sweatshop -another version- – Composed by Shoji Meguro, “The track playing in the latter half of Okumura’s Palace. Download and print in PDF or MIDI free sheet music for misc soundtrack by Misc Soundtrack arranged by Kaedalus for Piano (Piano Duo) Persona 3, 4 and 5 Exam Medley for Piano (Life Goes On, Specialist and During the Test) Sheet music for Piano (Piano Duo) | Musescore.com I didn’t explain it when I requested the lyrics but Komori understood what part I thought was the track’s climax, so when I hear “so today I say goodbye,” I get emotional.” (Meguro), 3-32 – Wake Up, Get Up, Get Out There -opening movie version- – Composed by Shoji Meguro, Vocals by Lyn, Lyrics by Benjamin Franklin, “We put the opening movie short version of the main theme as a bonus track, but it makes a pretty “unfair” appearance during the game too, doesn’t it. called Mor”gana”…” (Meguro), 1-24 – Life Will Change -instrumental version- – Composed by Shoji Meguro, “This track was actually made in the latter stages of development—before we planned to play the opening theme on Treasure Heist Day—but its mood didn’t fit so I had to quickly create a new track using pieces of the opening theme’s melody. was in the original Japanese. I think it has a lot of flavour.” (Meguro), 2-5 – Suspicious Person – Composed by Toshiki Konishi, The track that plays when meeting Yusuke for the first time. Persona 5. Life Goes On. !”-like feeling in the latter part of the movie, so I opted for this kind of arrangement.” (Konishi), “This Palace has a uniform atmosphere throughout, so we used only one track. The music in Kaneshiro’s Palace retains the same mood as the first and second halves, but as the party explores the interior of a certain structure, I did some trial and error to match the track to this aspect.” (Meguro), 2-18 – Keeper of Lust – Composed by Shoji Meguro, “The track that plays during battles against the so called mid-bosses. In contrast with the usual everyday life, the boss battles and other “unusual” scenes for the MC and his gang are expressed with powerful rock. Please use a recent version of Chrome, Firefox, Safari, Edge, or Opera instead. It’s a typical subdominant -> dominant -> tonic minor progression, but if you play this with the electric piano, it magically transforms into something just like Jamiroquai’s “Space Cowboy.” Even though it seems a simple chord progression, it’s actually more complex than that.” (Meguro), 2-20 – Memories of Summer – Composed by Toshiki Konishi, “I didn’t have the chance to make soft-sounding tracks like this until now, but it was surprisingly easy to create.
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