Lester Young's light lyricism foreshadowed. what is the musical term that describes the speed of the beat? cool jazz. Billie Holiday. Distributed solos using.
Alto saxophonist, the most celebrated soloist in Ellington's orchestra; his sultry, ballad style of playing is featured on a number of tunes, notably "Warm Valley", A French gypsy guitarist, he is considered the first great European jazz musician. Which one of the following is NOT a characteristic of Young's solo style?
The most harmonically daring and influential trumpeter of the Swing Era was. Coleman Hawkins, Lester Young, Art Tatum. Lester Young's light lyricism foreshadowed.
After returning to the United States after living in Europe, Coleman Hawkins jammed with saxophonists. Which of the following musicians developed an improvisation style directly influenced by Coleman Hawkins? Coleman Hawkins's most famous recording, the 1939 ______, was a pinnacle in jazz improvisation and a tremendous commercial success. A pioneer in the emerging swing style of jazz; his charts featured a call-and-response that would pit the reeds against the brass, which became a model for most of the swing bands that followed; "Wrappin' It Up" was one of his band's notable pieces: The first great tenor saxophonist, he developed a warm, full sound that was emulated by many who came after him. One of the great jazz pianists coming out of the stride tradition, he possessed extraordinary facility, combining dazzling technique with a marvelous feel for the blues; he is noted for his chord substitutions, and is reputed to have never lost a cutting contest: Tenor saxophonist, he joined Ellington's band in 1940; his "airy" ballad style solos were so tuneful that they often sounded as though they could have been the original song: The band would be divided into three sections: reeds, brass, and rhythm. Genre. The first 50 seconds of "East St. Louis Toodle-oo" feature a "wa-wa" solo by Joe Nanton on the trombone. Which of the following was NOT influential to the origins of jazz? The head.
the span of eight letter-name notes is called. (Hint: New Orleans and Harlem were both important in its development.). Small combos allowed more opportunities for experimentation. All of the following describes the career of Fats Waller EXCEPT: Was able to record all the songs he composed. With whose big band did Ella Fitzgerald sing at the beginning of her career? Often cited as jazz's greatest vocalist, this singer had a thin, edgy timbre, and worked within a range of no more than an octave and a half. A chord in which each note is separated from the next by a third is known as a: An accent on an unexpected part of the measure, that strengthens weak beats and undermines the strong ones produces: In jazz, the general label for any wind instrument is: The B part of an AABA composition is also known as: The music reflects the experience of the New Orleans upper class, who had the leisure time to create it. The Billie Holiday recording was a powerful commentary on Southern Lynching: Strange Fruit. Form. Which piece played by the Count Basie band features a series of alternating solos between the tenor saxophonist and the pianist-—even to the point of "trading fours" in the fourth chorus? After Louis Armstrong, but before Dizzy Gillespie, ______ was the most original and influential trumpeter in jazz. Although women found a more accepted place in America's workforce during World War II, only a few female musicians made names for themselves in the realm of jazz. There is general consensus that jazz is characterized by three essential features. A seven-note scale (also known as a diatonic scale) that progresses in whole (W) and half (H) steps according to the following pattern W W H W W W H is what kind of scale? Swing era soloists enjoyed playing in small combos as well as big bands. Count Basie's band first came to prominence in which city? Lester Young. a 1944 short film featuring a jazz improvisation. Often cited as jazz's greatest vocalist, this singer had a thin, edgy timbre, and worked within a range of no more than an octave and a half. Who was known as the "First Lady of Swing". Count Basie's band first came to prominence in which city? In New Orleans jazz, a second melody (or counter-melody) played on clarinet, subordinate to the principal melody played on cornet, is known as: A star trumpeter who developed a "growl style" of playing that lent the trumpet a more vocal quality; featured soloist on East St. Louis Toodle-Oo: The use of the growl style, lending the brass a more vocal quality, was a distinctive feature contributing to what? Music 102 (Ch. Lionel Hampton, Ben Webster, and Chu Berry. improvisation, swing feeling, bluesy flavor. Coleman Hawkins.
He played acoustic guitar in count Basie's orchestra. This musician steadfastly fought racism, organizing the first integrated and international orchestra in jazz history. vertical Harmonic style, very jaggedy. 1921 played jazz professional. Young's tone was heavier than Hawkins', with more vibrato. Coleman Hawkins's _____ became a pinnacle in jazz improvisation. Which one of the following is NOT true of jazz? trading fours. series of 32-bar aaba choruses. a movie featuring jazz soloists. Which saxophonist recorded often with Billie Holiday? piano music is typically notated using the ____ staff. was star soloist of band fletchers henderson band in 30's . Lady Day. Lester Young was influenced by the lighter, vibrato-less sound of this earlier saxophonist: Frankie Trumbauer. had a light sound, played rhythmically unpredictable phrases, and spoke a special slang. Lester Young is known for his innovative characteristics as a soloist. After returning to the United States after living in Europe, Coleman Hawkins jammed with saxophonists. All but one of the characteristics on the following list apply to Lester Young. altered a melody in such a way as to make it extremely personal.
His approach added a buoyancy to the Basie rhythm section that no other big band had. Coleman Hawkins's ______ became a pinnacle in jazz improvisation. Coleman Hawkins. Coleman Hawkins. true. One of the first masters of the walking bass, his association with Basie goes back to the 1920s. One of the first vibraphonists, he established own orchestra after a sideman stint with Benny Goodman. Which does NOT describe Lester Young's early musical experiences. With whose big band did Ella Fitzgerald sing at the beginning of her career. Lester Young was influenced by the lighter, vibratoless sound of which earlier saxophonist? The leader of one of the few white bands regarded as "hot" by black jazz musicians, he popularized swing for the broader American population. The rhythm section for the Count Basie band included: Freddie Greene on guitar, Walter Page on bass, and Jo Jones on drums. Which of the following was not the first Mississippi Delta Blues singer, but arguably the most influential?
born in Kansas City, played cello, piano, saxaphone. Date. Where could one enjoy Swing Era soloists other than in formal concert settings? Which statement accurately describes this organization? Which of the following describes a style of jazz piano derived from ragtime? Coleman Hawkins. The legendary "Father of Jazz," he is regarded as one of the great pioneering New Orleans jazz musicians, but he was never recorded. "Body and Soul" Jammin' the Blues was.
An early important white trumpeter, his improvisations conveyed an advanced harmonic conception. Which of the following is a synonym for "urban blues"? embellished and altered the melody in subtle and personal ways. Billie Holiday. The two most often used scales in the Western European music tradition are the major scale and the: According to the text, the most common clefs are: The placement of the notes on the staff indicates duration. had a lighter sound, and used melodic paraphrase improvisation.
Lester Leaps In.
Django Reinhardt's virtuosity was all the more remarkable because. Sweetness can be funky, filthy, or anything.". The distance between any two adjacent keys on the piano is called a: The function of the clef is to indicate the range of pitches to be played. had a light sound, played rhythmically unpredictable phrases, and spoke a special slang. Sein Vater, Willis Handy Young war ein umherziehender Musiker und Musiklehrer, der am Tuskegee Institut studiert hatte und der mit Karnevals- und Minstrel Shows ständig auf Tournee war. Coleman Hawkins. This soloist, who pioneered the idea of "cool," once expressed this aesthetic by saying: "I'm looking for something soft.
Lester Young and members of Count Basie's big band. Lionel Hampton, Ben Webster, and Chu Berry. This saxophonist had a "musical romance" with Billie Holiday, often appearing as her accompanist on her recordings: Lester Young. Lester Young was one of the true jazz giants, a tenor saxophonist who came up with a completely different conception in which to play his horn, floating over bar lines with a light tone rather than adopting Coleman Hawkins' then-dominant forceful approach. "A-tisket, A-tasket" was Ella Fitzgerald's big first hit after the Chick Webb Orchestra disbanded in 1942. A pitch that doesn't quite fit in the traditional 12-note scale. 1939.
During World War II, the Nazis promoted American jazz, claiming that the Negro-based music demonstrated the inferiority of Jewish culture. I can't stand that loud noise. a new melody, built from riffs and based on rhythm changes. Which of the following best describes "scat singing"? The most harmonically daring and influential trumpeter of the Swing Era was. These three essential features are: A single repetition of the chord progression used to organize music in an improvisation. What was Billie Holiday's nickname? What music genre would the following excerpt best fit in? Lester Young foreshadowed. An early important white saxophonist, he played the distinctive C-melody saxophone and had a linear approach to improvisation.
As a vocalist, Billie Holiday was strongly influenced by. A pianist and composer, he was known as the "father of stride piano." Which saxophonist had a "musical romance" with Billie Holiday, often appearing as her accompanist on her recordings? He possessed a superb sense of timing that helped promote the bass to its role as principal timekeeper in the band. had a light sound, played rhythmically unpredictable phrases, and spoke a special slang. what fundamental element of music may be defined as "the succession of articulated durations"?
Singing nonsense syllables while improvising. Count Basie composed the landmark tune 'Mood Indigo' false. American swing musicians were celebrated in _______, where their performances were embraced as the dissident music of liberation. In the ______, fans first began to vote in magazine polls for their favorite jazz soloists. Spent a long and successful time in the Fletcher Henderson band . Kansas City. What music genre best fits the following song? A clarinetist and soprano saxophonist, he was one of the great early New Orleans jazz musicians, known for his blues-infused improvisations.
Lester Young is known for his innovative characteristics as a soloist. 1923 moved to nyc and joined fletechers band. Performed by. Coleman Hawkins was a pioneer on the ______ saxophone. Which one of the following is NOT a characteristic of Young's solo style? Kansas City swing. The first great electric guitarist in jazz was: This singer won a talent show at the Apollo Theater at age 17 and was the featured singer with the Chick Webb Orchestra at the Savoy Ballroom.
cool jazz. Several different rhythms sounding at the same time. One of Fletcher Henderson's major contributions to the Swing style was the way he structured his band.
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